Home Book Reviews The Assault review: Harry Mulisch’s taut Second World War thriller

The Assault review: Harry Mulisch’s taut Second World War thriller

by J. C. Greenway
The Assault review cover
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I will start this The Assault review by saying that I am not quite sure by what happy chance Harry Mulisch’s book arrived on my ‘to read’ list, but I am profoundly glad that it did. If it was via your recommendation, then please accept my unending gratitude. Although it seems premature to crown ‘the best work of fiction I have read all year’, so it must be.

Anton Steenwijk is an ordinary boy – keen on planes and cars, arguing with his older brother – living in the extraordinary time and place of Occupied Holland at the tail-end of the Second World War. Perhaps slightly more thoughtful than some of his peers, with a love of and keen eye for nature which will later see him publish poems on the subject. He is happy to spend time watching the wave patterns created by the motorboats on the canal outside his Haarlem home. He recalls ‘branches… bleached by the sun’, notices ‘bare, ice-coated, impassive trees that were totally unaware of what wartime was all about’, while damaged railway lines stand ‘upright like the horns of a snail’.

The War’s major intrusion into his life is via the hunger of a growing lad, although he also takes a stand for a classmate – perhaps saving a life as he does so – but he acts impulsively, without too much reflection on his motives. The incident remains unrecalled and unremarked upon until one winter’s night, when he is engulfed by terrible events that he neither fully witnesses nor understands, yet which leave him – the only survivor – with the revelation:

Fire and this steel – that was the War.

Despite this knowledge, as he matures, he is successful in pushing away his memories in order to survive, before a series of chance encounters force him into unravelling the fate of his family. The secrets of one night of Resistance assassination and SS reprisal are imparted to him throughout his life, in a series of episodes from young student to middle-aged father, shocking Anton out of his attempt to live as passive a life as possible.

It is difficult not to think, on reading The Assault as we reach the 10-year anniversary of the start of the Iraq War, of the consequences for the innocent caught up in war; the apparently small events sparked by unseen actors which rapidly take on greater significance. Chasing the tangled stories leads Anton to a semblance of an answer to the question why? as well as a realisation that the answer is both more and less important than he could have guessed. In the end, as the Resistance fighter Takes tells him:

everyone gets killed by whoever kills them, and by no-one else.

The Assault is a clever blend of taut thriller, historical mystery and psychological study, with plenty to show the reader about reactions to traumatic events experienced by the young. We see how assumptions about the past can colour someone’s thinking so completely, yet later be exploded as resting on a false or misunderstood reading of those events. What appear to be key conversations and actions slip out of the memory, making a nonsense of any attempt to create patterns out of random events. This failure recalling Anton’s doomed attempts to figure out the complexity of the crossing, interlaced waves created by the motorboats passing him by on the canal.

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odonnelljack52 18 December 2014 - 8:15 pm

this goes on my must read list (which is already too long for one lifetime). cheers.

J. C. Greenway 19 December 2014 - 5:03 pm

Same here. That said, it’s a slender volume, so shouldn’t edge out too many others!

Curt Kastens 9 April 2015 - 8:33 am

I have read the book more than once and watched the movie about 10 times. Sadly I must report that I am the only person that really understands the book. Most people think that the book is about Anton Steenwejk. That is actually a sub plot. A quite interesting sub plot it is. Yet the book is really about using understanding of history to understand the present. If you really get it, the book is not about Anton it is about the collaborator Ploeg.
The secret explicitly revealed at the end hides a even more meaningful secret that is only hinted at much in the jail cell when when the wounded Johanna Schaft talks with Anton.


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