Twenty-four hours after the big day, by now hopefully the major disappointment should be fading. I refer, of course, to the possible inability – if in certain parts of the US – to sit in a cinema and watch North Korean assasination romp (words you never thought could belong together) The Interview.
Personally, having caught a bit too much of an earlier Seth Rogan-James Franco offering, This is The End, a thousand years could pass without me needing to witness this comedy pairing again, but realise I probably don’t speak for all. To each their own. But I do wonder about all those manning the freedom of speech barricades this holiday season and their seeming unfamiliarity with this particular xkcd cartoon:
It is surely an ultimate act of assholery to depict the assassination of another country’s leader, however much of a despot they may be, and play it for laughs. Especially when you come from a nation with a long history of assassinating leaders who cause you displeasure. That third panel seems to me to have particular resonance in this situation: too often Hollywood, if not America itself, is immune from the consequences of its actions. Payback – like taxes – is for the little people, not the overgrown children at the top of the Tinseltown food chain that few dare say no to. Even when the ‘boss’ does mention that perhaps a scene is going a little too far and needs to be reshot, the cry goes out that this is Art and artistic expression cannot be constrained.
North Korea seems to have been the butt of jokes for so long now that perhaps the creative team behind this movie didn’t expect to provoke so much ire. From Team America: World Police to Kim Jong-Un Looking at Things, the narrative has been established that this is more of a tin pot dictatorship than a Pol Pot one. Yet the numbers dying there in recent years – although likely to be never finally confirmed – suggest that there’s not much to laugh at north of the Demilitarized Zone. Even Cold War vintage Bond never went as far as to off a real Soviet leader on-screen, instead using rogue generals or shadowy organisations such as SMERSH to add a drop of reality to a gallon of fiction. Satire has its place, but Chaplin’s The Great Dictator and Spitting Image’s depiction of the Thatcher era suggest that it is an ineffectual weapon at bringing about regime change.
Speaking of ineffectual weapons, perhaps one’s perception of North Korea shifts when they are near neighbours. I remember taking a train to work and refreshing Twitter to find out what was happening with a missile that had been launched in my general direction. Luckily – or perhaps not for the scientists that had designed it – it splashed down somewhere in the sea off Japan. And had it not, it no doubt would have been intercepted. Still, it is hard not to feel that there is not giving in to threats and then there is not grabbing the tiger by the tail in the first place.
The Vulture story referenced above quotes Amy Pascal of Sony Entertainment Pictures as saying she is not sure,
how to deal with Japanese politics as it relates to Korea so all I can do is make sure that Sony won’t be put in a bad situation.
Japanese relations with both sides of the Korean divide are usually quite fraught, to put it mildly. At any time, it should not be unexpected that a Japanese parent company might ask its foreign subsidiaries to avoid putting the North’s back up. But at a time when delicate negotiations between the two countries are pushing along like the proverbial glacier, when you realise what is at stake, perhaps artistic expression should sit down, preferably in a back seat, and keep its mouth firmly zipped.
If this latest round of talks don’t result in anything, then I don’t think we’ll ever see them again. We’re both in our late 80s, so we have to accept that we might not be around for much longer. She is constantly in my thoughts. When I think of how I have been unable to do anything to help her all these years, I quietly say sorry to her.
Japan is currently seeking information about a number of its citizens – possibly more than 800 people – who were abducted and taken to North Korea in the 70s and 80s. The clock is ticking as more than one family member has died not knowing what happened to their relative. Information provided in the past has since been shown to be false and remains that were said to be those of certain abductees turned out not to belong to the stated person.
And while the arguments may run that threats should never be responded to, that Art cannot be trammelled by mere politics, that ends up giving cold comfort. The name of Sony is so synonymous with Japan that stating that Sony Entertainment Pictures is an independent American company holds little sway. Via torrents and the campaign for the right of Hollywood to do as it pleases, there will be more chance of seeing The Interview this Christmas than there will be of the Arimotos seeing their daughter Keiko.